Zhao Li
赵离───Zhao Li
Zhao Li: you just mentioned themes in Buddhism, so what's your opinion on Buddhism, are you a Buddhist?───赵力：你提到了佛教主题性的问题，你对佛教是怎样认识的，你是佛教徒吗？
Zhao Li: But why is there no face, and no facial expression?───赵力：为什么没有脸，没有脸部表情的表现?。
Zhao Li: Very good answer.───赵力：你回答（得?）很好。
Zhao Li: The early form of Dunhuang fresco is of central tower style with a major character surrounded by continuous variations of murals.───赵力：敦煌壁画的早期窟型是中心塔柱式的，有一个主像，周围是连续变化的壁画。
Zhao Li: In terms of the time, all of us were searching for a way out during the entire 90s.───赵力：从这个时间角度看，整个90年代大家都在找一个出路。
Zhao Li: To paint something on the face is called "Double Mirror" in art history, which is to express a relationship through one part.───赵力：在脸上画一些东西，美术史里叫双重镜像，就是在一个部分去表现一种关系。